Monday, June 29, 2009

Dear Buckminster Fuller


This letter was sent to Buckminster Fuller on November 19, 1982, nine months before his death (from the book Buckminster Fuller: Anthology for the New Millennium edited by Thomas T.K. Zung). The letter and Fuller's response choke me up every time.

Dear Buckminster Fuller:
My last grandmother died recently, as expected, but I didn't expect to remember so much I forgot to talk with her about, and I'm a bit blue when I think of her. She was born about the time when you were, and since your death soon could not be called unexpected, I want to send you a note of appreciation.
Insofar as I represent the generation twice removed from yours (younger in human terms, older in Universe time), I want to thank you on behalf of all of us, for a life well done. There's no question that you will be better known in fifty years than you are now, because every year your ideas, language, and general optimism appear to become more saturated in the collective consciousness.
You have know the stagecoach, yet remain on the cutting edge of the electronic age. You are so wonderfully arranged that I can be assured that you will read this letter. How you come to God, I don't understand, but God bless you.

Love,
Joe [Joseph Wheelwright]

Buckminster Fuller responded on December 13, 1982

Dear Joe,
There have been two generations of Wheelwright friends in the first half of my life. They were all admirable individuals. I interpret your spontaneous writing to me in so daringly tender a way as a message of comprehension and accord from all those whom I love who have died and in my youth were so often dismayed and alarmed by all the mistakes I had to make to become shocked into discovering what I had to learn. This was to thoughtfully discover on my own, in both the biggest and most exquisite ways, what needed to be done, and could now be done for the first time in history to make the world work for everybody. It was a task that required a special-case individual to initiate, and individual who had come to the point of suicide and was inspired to commit his total experience inventory only to the advantage of all others but self.
There's lots more to be done, which it seems to me I have to do before I die, as a follow-through in accomplishing all that with which I committed myself to cope. I never pray God to do anything, because God would not be God if the eternal, absolute intellectual competence needed my suggestions.
I  feel sure that God holds you in grace and will continue to do so. I thank God for an additional Wheelwright friend.

Faithfully yours,
Buckminster Fuller

Friday, June 05, 2009

6/11/2009: Jacuzzi Movies at Contemporary Arts Museum Houston

Read the Preview in Houston Press

Screening of Tamás Wormser’s Touched by Water


A free screening of Tamás Wormser's Touched by Water, a documentary about bathing rituals around the world, will take place on the back lawn of the Contemporary Arts Museum Houston on Thursday, June 11, 2009 (with additional screenings on June 25 and August 6). A functioning hot tub will be setup on the lawn with open dipping and snacks available from 6:30pm-8:30pm. Screening starts at 8:30pm. Viewers are invited to watch the film from the lawn (bring a lawn chair or blanket) or request reservations for hot tub seating by calling (713) 284-8257 (limited space). Event postponed in the event of rain.


Presented and hosted by artist/curator Andrea Grover, this screening is part of a series of public programs produced by Grover for the current CAMH exhibition No Zoning: Artists Engage Houston, on view through October 4, 2009. This program follows the tradition of thematic, collage-style, site-specific, and social screenings that Grover created for Aurora Picture Show, the microcinema she founded in 1998.


Film to be screened:


Touched by Water, 2006, Tamás Wormser, 46:00, color, video From the holiest rituals to fashionable leisure, from ancient Roman baths and elite European spas, via Turkish hammams and ritual dips in the Ganges, to high-tech, multi-media pools, this film looks at bathing cultures around the world and explores our essential bond with water-—the sensual pleasure we derive from it as well as the spiritual renewal. Touched by Water is both an ode to the social ritual of public bathing and a thought-provoking look at water’s spiritual significance.

About Tamás Wormser Tamás Wormser was born and raised in Budapest, Hungary, and has lived in Montreal, Canada since 1986. Touched by Water was inspired by Wormser’s native experience of public bathing in Hungary, as well as his interest in the social rituals of bathing. He shot this film single-handedly over ten years in 13 countries, with a small video camera that allowed him to unobtrusively capture rarely documented locales, including a Turkish hammam, and a mikvah, or Jewish ritual bath. Wormser is the founder of Artesian Films through which he has directed eleven films, including Traveling Light, a film about nomadic artists.

Contemporary Arts Museum Houston is located at 5216 Montrose Blvd. Houston, Texas 77006-6547. tel: (713) 284-8250, www.camh.org.

Thursday, May 28, 2009

Press Previews & Excerpt from Geoff Winningham's "The Pleasures of this Stately Dome"

Astrodome Cinema screens tonight, May 28, 2009, 6:30pm at Contemporary Arts Museum Houston!

CAMH exhibition puts iconic Astrodome on silver screen
http://www.chron.com/disp/story.mpl/ent/arts/theater/6444037.html#

Astrodome Cinema- CAMH exhibit takes a look at the former "Eighth Wonder of the World"
http://www.houstonpress.com/2009-05-28/calendar/astrodome-cinema


Wednesday, May 13, 2009

Astrodome Cinema at Contemporary Arts Museum, Houston


On May 28, 6:30pm I'll be screening two Astrodome-related films as part of my projects for No Zoning: Artists Engage Houston at CAMH.

Nicknamed the "Eighth Wonder of the World," "Can Do Cathedral," and "Taj Mahal of Sports," the Astrodome opened in 1965 as the first domed sports stadium in the world. During its height, the Astrodome hosted historical gatherings such as the “Battle of the Sexes” (a theatrical tennis match between Bobby Riggs and Billy Jean King); “Millenium ’73 (a convening of followers of Divine Light Mission and the Guru Maharaj Ji); an Elvis Presley concert that broke all previous attendance records; and a 13-car motorcycle jump by Evil Knievel. According to the Astrodome's mastermind, Judge Roy Hofheinz (former Mayor of Houston), its design was inspired by a visit to the Circus Maxiumus in Rome, and indeed it reigned as one of the largest stages in the world until it closed in 2000. A mere 35 years after its spectacular unveiling, the Astrodome had become a relic. In 2001 on the same complex, Reliant Stadium was built-- the first retractable roof football stadium, with 20,000 more seats than the Astrodome. Today, the Astrodome is vacant and its fate is unknown.

Films to be screened:

The Pleasures of this Stately Dome, 1975, Geoff Winningham, 54:00, 16mm on video, color, sound

A study of the Houston Astrodome as a folk theater, created on the 10th anniversary of the opening of the dome. Winner of the Documentary prize at the Edinburgh Film Festival in 1976, and funded in part by a grant from the National Endowment for the Arts. The film includes vintage footage from the construction and grand opening of the Astrodome in 1965, plus footage from ten years of diverse and memorable shows, including destruction derbies, Evil Knievel, Billy Graham, chariot races, rodeos, calf scrambles, and various professional sports. The film is punctuated by an extended interview with Judge Roy Hofheinz, who conceived and built the Astrodome.

The Lord of the Universe, 58:00, 1974, TVTV (Top Value Television), color, sound, video

Sixteen-year-old guru Marahaj Ji attempts to levitate the Houston Astrodome in this 1973 DuPont award winning documentary. Follow the guru from his New York mansion to limousines in Houston and listen to his followers celebrities and non-celebrities alike extol his virtues. TVTV's creative use of graphics, live music, and wide-angle-lens shots to convey the desperate efforts of these lost children to find a leader.
"If this guy is God, then this is the God the United States of America deserves." Abbie Hoffman. Courtesy Video Data Bank

Further reading:

Last Innings at a Can Do Cathedral, Jim Yardley, October 3, 1999, New York Times

Ode to the Astrodome, Brock Bordelon, astrosdaily fansite

Wednesday, May 06, 2009

Lessons in the Sky: A Filmic Tribute to Audubon

Tuesday, June 16, 2009, 8:30pm
Dia Art Foundation and The Hispanic Society of America present 'Tuesdays on the Terrace' @ Audubon Terrace at The Hispanic Society of America
Broadway between 155th and 156th streets, New York City

Lessons in the Sky: A Filmic Tribute to Audubon

Curated by Andrea Grover, founder Aurora Picture Show


John James Audubon’s New York farm, Minniesland, once occupied 40 wilderness acres of what is now the Washington Heights Neighborhood in Upper Manhattan. This cinematic tribute to the universal pastime of bird watching is a nod to the farmland that once comprised this region, Audubon’s life work with wildlife, and the timeless current of artists’ studies of the natural world. This screening will showcase short films and videos on birds and natural history in a variety of genres including film and video art, documentary, experimental, animation, found footage, historical and silent films.

Image: The realTime and Life of John James Audubon, Emily Kuehn, video and animation, 2009

Friday, April 10, 2009

New DVD by Enid Baxter Blader: A Film is A Burning Place

I'm pleased to have produced this DVD of shorts by the fabulously talented, Bluegrass songstress, and beautiful heterochromic-eyed filmmaker, Enid Baxter Blader.

"A dreamlike poem to landscape and the body, presence and memory, more delirious than anything Hollywood could imagine."-- Barry Schwabsky, Artforum


A Film is a Burning Place: Works by Enid Baxter Blader This compilation of experimental short films and videos by Enid Baxter Blader unfolds like the pages of a lost diary, with fleeting glimpses into an anonymous someone's memories and desires. A filmmaker, painter, and bluegrass musician, Enid Baxter Blader finds inspiration in ruminations on rural life, stormy weather of the emotional and environmental variety, majestic landscapes, and small town civility.

Works on the DVD include: Local 909er, Secret Apocalyptic Love Diaries, The Revival of Lee Mackey (excerpt),They Will Cure What Ails, Blind Town/DownHome Sublime, Corn, 2001, Lindbergh Road (excerpt), Just a Second (excerpt), Blue (excerpt), Lucille and Letter from the Girl (excerpt).
101 Minutes.

The DVD includes an essay by novelist and journalist, Ben Ehenreich.


Purchase DVD
Wholesale through Microcinema

CINEMAD DVD hits the streets

Mike Plante curated this superb DVD by some of the gods and goddesses of experimental cinema, and Aurora Picture Show and I produced it (Aurora Video Label). The DVD comes with a 60 page booklet of interviews from 10 years of Cinemad, Mike Plante's indispensible zine about independent, avant-garde, and underground cinema.




Cinemad: Almanac 2009

A new DVD compilation of damn great short films by:

Animal Charm
Cam Archer

Stephanie Barber

Bruce Conner

Kevin Jerome Everson

James Fotopoulos

Sam Green

Jake Mahaffy

Bill Morrison
Leighton Pierce
Jennifer Reeves

Deborah Stratman

To celebrate 10 years of covering unusual films and filmmakers, Cinemad
magazine presents a compilation of short films that defy simple categorization. Produced by Mike Plante and Andrea Grover. 77 minutes.

Trailer
Purchase DVD here
Wholesale purchases through Microcinema

Wednesday, March 11, 2009

Confluence: Points of View on Buffalo Bayou

Here's an excerpt from the press release for Confluence, the public art project I've been working on with Sandra Percival.

Buffalo Bayou Partnership Announces
Confluence: Points of View on Buffalo Bayou and Spring Artists Talks

HOUSTON, Texas (February 18, 2009) – Buffalo Bayou Partnership announces Confluence: Points of View on Buffalo Bayou, a multi-year contemporary art project that will introduce innovative public art within the environs of Houston’s historic waterway. The first manifestation of Confluence is a March-April 2009 series of Artists Talks by participating artists, Matthew Coolidge/The Center for Land Use Interpretation, Mark Dion, Teresa Hubbard /Alexander Birchler, and Pedro Reyes.


The Buffalo Bayou Partnership, an organization that oversees beautification and redevelopment efforts along Houston’s historic waterway, has a long history of supporting public art on Buffalo Bayou from temporary architecture to dramatic permanent lighting design. These significant commissions by prominent artists and designers, such as Mel Chin and L’Observatoire International, undertaken over the last two decades, have established visual landmarks along the Bayou that contribute to the mapping of the waterway, and enhance public engagement with the bayou.


Confluence: Points of View on Buffalo Bayou will invite local, regional and international artists to create new temporary and permanent public artworks, integrated public programming, and special events for the 10-mile stretch of the Buffalo Bayou from the Memorial Park to the industrial Ship Turning Basin, connecting diverse Houston neighborhoods to the history and present-day life of the Bayou. Artists have been selected on the basis of their past work and their ability to engage the imaginative landscape of the bayou.


The Artists Talks series will introduce past work and proposals by artists invited to develop projects for Buffalo Bayou. The artists have conducted site visits to the bayou, presented preliminary ideas, and are in the research and development stage of their projects.




For more information, please contact Trudi Smith, Buffalo Bayou Partnership’s director of public relations and events (713.752.0314 ext. 3, tsmith@buffalobayou.org).